| Track | Scene Context | Emotion | Instrumental Motif | |-------|---------------|---------|--------------------| | | College protest → National anthem of rebellion | Anger, entitlement | Heavy electric guitar + Punjabi folk | | Kun Faaya Kun | Sufi shrine, spiritual breakdown | Surrender, transformation | Qawwali + electronic fusion | | Tum Ho | Heer’s wedding → Jordan realizes he loves her | Longing, melancholy | Solo piano + strings | | Naadan Parindey | Separation in Prague | Restlessness, freedom | Acoustic rock + gharana notes | | Aur Ho | Fame & self-destruction | Exhaustion, excess | Rock opera scale | | Jo Bhi Main | Opening credits & later reprise | Truth, confession | Minimalist, raw vocal |
| # | Song Title | Singer(s) | | :--- | :--- | :--- | | 1 | "Phir Se Ud Chala" | Mohit Chauhan | | 2 | "Jo Bhi Main" | Mohit Chauhan | | 3 | "Katiya Karun" | Harshdeep Kaur | | 4 | "Kun Faya Kun" | A. R. Rahman, Javed Ali, Mohit Chauhan | | 5 | "Sheher Mein" | Karthik, Mohit Chauhan | | 6 | "Haawa Haawa" | Mohit Chauhan | | 7 | "Aur Ho" | Alma Ferovic, Mohit Chauhan | | 8 | "Tango For Taj" | Instrumental | | 9 | "Tum Ko" | Kavita Subrahmanyam | | 10 | "Nadaan Parinde" | A. R. Rahman | | 11 | "Tum Ho" | Mohit Chauhan, Suzanne D'Mello | | 12 | "Saadda Haq" | Mohit Chauhan | index of rockstar movie
: The music is the literal soul of the film. From the sufi-rock vibes of "Kun Faya Kun" to the explosive rage of "Sadda Haq," the album remains one of the greatest in Bollywood history. | Track | Scene Context | Emotion |
His early days as a naive student performing at university canteens and seeking inspiration in pain. His early days as a naive student performing
: Janardhan, desperate for musical greatness, is told by his mentor Khatana Bhai that all great artists share one thing: a life-altering heartbreak.
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– An instrumental track showcasing Rahman's eccentric genre-blending abilities.