Mshahdt Fylm Female War A Nasty Deal 2015 Mtrjm [top] Jun 2026

We can dismiss this quickly. This is a drama about a secret society of teenage girls; no war, no nasty deal.

Female War: A Nasty Deal (2015) (Korean title: Yeo-ja Jeon-jaeng: Bi-yeol-han Geo-lae ) is a South Korean drama/thriller centered on the desperate lengths a woman will go to for her family.

However, the medical system offers no immediate hope. In her desperation, she encounters a dying old man who is a compatible donor. He agrees to donate his eyes to Ha-rim, but his price is steep and disturbing: he demands a sexual relationship with Sun-young in exchange for the gift of sight. This "nasty deal" sets off a chain of psychological and physical events that test the limits of love and the human spirit. Themes of Sacrifice and Morality

Runtime & Rating Approximately 110–125 minutes. Intended rating: R (violence, language, wartime themes). mshahdt fylm female war a nasty deal 2015 mtrjm

Here is a feature look at the film:

في دور الزوج والرسام الأعمى "ها-ريم": أبدع في نقل مشاعر العجز واليأس والإحباط التي يعيشها فنان فقد بصره.

: في دور ميسو. تفاصيل ومعلومات الإنتاج We can dismiss this quickly

In 2025, a user on a lost-film subreddit claimed to have found a VHS transfer. The post was deleted within hours. But the title lingers: a nasty deal, a female war, and a movie that may or may not exist — waiting to be translated.

: تبدأ زوجته المخلصة سون-يونغ رحلة طويلة وصعبة للبحث عن متبرع بالقرنية لإنقاذ بصر زوجها.

Female War: A Nasty Deal (2015) is a South Korean erotic drama directed by . The film is part of the "Female War" series, which is based on the original works of cartoonist Park In-kwon , known for stories that explore human desire and moral dilemmas. Plot Overview However, the medical system offers no immediate hope

The narrative centers on a shocking moral dilemma. The main character, (played by Kim Sun-young), is a devoted wife whose husband, Ha-rim (Lee Se-chang), is a painter who has become blind due to an unfortunate accident.

In wars that are pitched as epic clashes of ideology, the real battles are often private: oaths made in whispers, bargains struck to save a single life, and the small, ugly deals that stain those who must survive. A 2015-set narrative about a woman at the center of conflict brings these intimate betrayals into sharp relief—where the frontline is not only trenches and checkpoints but corridors of power and memory.

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