25th EDITION | MODENA OCTOBER 17-19 2025 - SUBSCRIBE TO THE NEWSLETTER
by Santiago López Jover, Marcus H. Rosenmüller, Germany/Austria, 2021, 85' Original version with Italian subtitles The story, set in the 1960s in a small village in the Austrian hinterland, tells the story of the son of an innkeeper - known by everyone as the "Brat" - who continually clashes with the narrow-minded and ultra-Catholic mentality of his fellow citizens. A politically incorrect and funny animation, based on the life and works of the illustrator and cartoonist Manfred Deix. Entrance with ticket, pass and accreditation
Any Italian or foreign narrative animation film lasting 50 minutes or more. In order to qualify for this section the submitted project must be animated with any kind of technique, whether traditional or digital. Films that have been made available to the public elsewhere, including online, may not be accepted. This includes (but is not limited to) television, home video, streaming or any digital platform both in Italy and abroad. Films that have been invited to other festivals in Italy prior to September 1, 2021 but have notparticipated may compete in this category.
Any Italian or foreign narrative work created with the use of visual effects, lasting 50 minutes or more. To qualify for this section, the submitted project must use visual effects,whether using traditional or digital techniques. Films that weremade available to the public in other venues, including online, cannot be accepted. This includes (but is not limited to) television, home video, streaming or any digital platform both in Italy and abroad. Films that have been invited to other festivals in Italy prior to September 1, 2021 but have not participated may compete in this category.
Any Italian or foreign narrative animation film lasting less than 50 minutes with end credits. This category includes fiction, experimental, nonfictional or documentary works, music videos, or any other form of visual storytelling. Short films should not have premiere restrictions, nor be screenedin other festivals to be eligible forselection. All shorts that have already been presented at festivals or public events, aired on television or digital platforms, as well as home videos anywhere in the world, may be entered in this category.
Opting for the Dual Audio (English-Hindi) version ensures that you get the best of both worlds: the authentic, nostalgic texture of the original performances, alongside the immediate, comforting accessibility of a localized script. It is a film that demands to be felt, heard, and understood—in any language.
The Perks of Being a Wallflower Dual Audio (English-Hindi): A Cinematic Sanctuary in Two Languages
The availability of The Perks of Being a Wallflower in Dual Audio (English and Hindi) serves a massive purpose in the modern streaming landscape. 1. Linguistic Accessibility The Perks Of Being A Wallflower Dual Audio Eng-hindi
"The Perks of Being a Wallflower" is a heartwarming and thought-provoking coming-of-age drama that explores the complexities of adolescence, friendship, and self-discovery. The film is based on the novel of the same name by Stephen Chbosky, who also directed the movie.
Released in 2012, The Perks of Being a Wallflower —written and directed by Stephen Chbosky, based on his own acclaimed novel—is a coming-of-age masterpiece. It captures the raw, unfiltered emotions of adolescence: trauma, first love, friendship, mental health, and the bittersweet sensation of feeling “infinite.” Opting for the Dual Audio (English-Hindi) version ensures
This comprehensive guide explores the impact of the film, why dual-audio versions are highly sought after, what to expect from the viewing experience, and safe, legal ways to watch it. Why Audiences Seek Dual Audio (English-Hindi) Versions
: The central theme is Charlie's transition from an observer to a participant. His English teacher, Bill, acts as a mentor, guiding him through literature and offering the story's most famous wisdom: "We accept the love we think we deserve." Key Character Dynamics Released in 2012, The Perks of Being a
In her first major post-Harry Potter role, Watson breaks away from her academic persona to play a luminous, compassionate, and fiercely independent young woman.
The film is highly quotable, producing lines that defined an entire generation of internet culture. Phrases like and "And in that moment, I swear we were infinite" carry immense philosophical weight. In a dual audio format, these lines are meticulously adapted to ensure their profound meaning isn't lost on Hindi-speaking audiences. Why the Film Remains Timeless
You can currently find the film on several official platforms in India:
A streaming release that presents a seamless dual-audio experience for the film, allowing viewers to switch between original English audio and a high-quality Hindi dubbed track without losing lip-sync, subtitles, or scene-specific audio cues. Designed for accessibility and cultural reach while preserving original performance nuance.
A wide range of innovative works and immersive experiences will be considered for the Festival’s AR/VR program. We request that you provide documentation that outlines any specific logistical, spatial, or equipment needs for your project. Specific instructions for submitting different file types are contained within the application. The works realized prior to October 1, 2020 are not eligible to submit to this category.Questions regarding this specific program should be directed to
This section is for all sorts of innovative,immersive or multiple platform experiences. These projects may include mixed media products, multimedia installations, live film performances, creations designed for specific digital platforms, or a mix of all the above techniques. A precise documentation of the project features is required, specifying the space, technical background and instrumentsnecessary to realising the project. This section is intended to encourage the diverse creative community to propose innovative fiction or documentary projects. Works that have already been presented in other festivals/events may be nominated in this section, however the organisation reserves the right to carefully examinethe projects that will be premiered. If it includes interactive elements, we ask you to read carefully about the "AR/VR"section. If the project does not include any features from that category, please look at the othercategories as well. Works made before January 1, 2020 may not be entered in this category.
Any backstage video of visual effects made by Italian professionals or companies. There are no restrictions regarding previous screenings or previews that would prevent the admission to the competition. A backstage video that has already been shown to a wide audience online or in streaming, on TV or as home video, may still be submitted in this category. Works made before January 1, 2021 will not be accepted.
Any animated commercial or ADV realized by Italian companies/professionals. The works have no premiere requirements or prior screening restrictions that impact Festival eligibility. Commercials/ADV that have been screened at any number of festivals or other public theatrical exhibitions, broadcast or streamed on television or the Internet, and/or released via any home video or other public distribution platform anywhere in the world are eligible for this category. The works realized prior to October 1, 2020 are not eligible to submit to this category.
Any animated opening/closing titles work from Italy and outside Italy. The works have no premiere requirements or prior screening restrictions that impact Festival eligibility. Opening/closing titles that have been screened at any number of festivals or other public theatrical exhibitions, broadcast or streamed on television or the Internet, and/or released via any home video or other public distribution platform anywhere in the world are eligible for this category. The works realized prior to October 1, 2020 are not eligible to submit to this category.
Before submitting your work, please read carefullythe following regulations:
- All work smust be from after September 2021.
- Works that are not in Italian must include Italian subtitles and have a dialogue list, unless understanding dialogues or voice-over are not necessary to understanding the work itself.
- By submitting your work to the Future Film Festival, you give us permission to screen your film during the Festival’s duration, at special events, spin-offs oron other related occasions. You also grant the Festival the right to archive and stream your work online on MyMovies. The Festival will send a contract for the selected authors/producers to sign.
- The organisation does not guarantee that all submitted films will be selected, but wepromise tolet you know whether you work has been chosen by July 30, 2024.
- Please send us at least two pictures of your work, a poster, and press material that can be used for promotional purposes (Hi-Resolution JPEG - size not exceeding 3MB).