: Composed by Aria Prayogi and Fajar Yuskemal , this track was the version director Gareth Evans worked on most closely and is often found on original regional releases.
Here is why the original language version is the superior experience.
For the best experience watching (2011), most fans and critics recommend the original Indonesian audio track over the English dub. Audio Options & Formats the raid redemption indonesian audio
The emotional core of The Raid rests on the relationship between Rama (Iko Uwais) and his squad leader, Jaka (Joe Taslim). Both actors are Indonesian, and their chemistry is palpable. When they speak in their native tongue, there is a natural cadence and urgency to their delivery.
Why the Original Indonesian Audio is Essential for The Raid: Redemption : Composed by Aria Prayogi and Fajar Yuskemal
Indonesian slang and the specific way characters address one another (using honorifics or aggressive informalities) provide subtext about the criminal hierarchy that is often lost in translation.
Finally, the Indonesian audio forges a deeper, more respectful connection with the film’s unique martial art, Pencak Silat. Unlike many Western action films where fights are often disconnected from dialogue scenes, The Raid integrates the Indonesian language as an extension of its Indonesian soul. The grunts, sharp breaths, and guttural exclamations during combat are not sound effects; they are part of the fighters’ vocal performance. When Rama drives a broken fluorescent tube into an opponent’s neck, his sharp, wordless cry in Indonesian is more visceral than any one-liner in English could ever be. The language becomes a rhythmic counterpoint to the brutal symphony of breaking bones and splintering drywall. By not dubbing the film, Evans trusted his audience to engage with the action on a purely cinematic level. He understood that authenticity is more compelling than accessibility—that the specific, untranslatable texture of Indonesian speech adds a layer of raw, documentary-like reality that no amount of ADR (Automated Dialogue Replacement) in English could replicate. Audio Options & Formats The emotional core of
In the Indonesian audio track, the soundscape is the one the director intended. It is harsher, louder, and more chaotic. The Silat fight scenes rely heavily on the rhythm of the choreography, and the original audio preserves that rhythm. You feel every strike in your chest.
Composed by Mike Shinoda (Linkin Park) and Joseph Trapanese for the US release by Sony Pictures Classics. 2. Audio Settings and Options
