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In 1947, Hollywood was still the undisputed king of visual storytelling, but studio executives saw the writing on the wall. David Sarnoff, president of RCA, declared that television “might revolutionize film distribution”. The first hour‑long filmed television show, Hopalong Cassidy , premiered, directly employing movie post‑production people for the first time. The studio system, which had flourished for decades, began to adapt—albeit reluctantly—to the presence of a new competitor that could bring moving pictures directly into homes for free.

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Television’s arrival did not immediately kill radio. In fact, the 1947‑48 season boasted the largest radio audience in history. Homes with radios jumped 6 %, and car‑radio ownership soared 29 %. Radio remained the dominant source of news, drama, comedy, and music, with programs like Fibber McGee and Molly , Jack Benny , and Bob Hope drawing tens of millions of listeners. But the seeds of decline were already planted. As Time magazine noted, “U.S. radio’s big news of 1947 was television. Television grew—and behaved—as outlandishly as an adolescent boy. More than 149,000 sets were sold; nine new telecasting stations were operating.”

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